Sonic Hyperstition

From The Occulture (March).

A coherent history of the fraught engagements between sound, deception and esotericism has yet to be decisively outlined, yet we must concede that a plethora of intersections between AUDiNT’s imperatives (across its multiple incarnations) and research interests inherited by The Occulture allow for a consolidation of trajectories not previously feasible. …


Urbanomic’s Robin Mackay in conversation with Lee Gamble:

Robin: Do you think this reflective distance in your work is a sign of the times, where what had seemed like the unstoppable force of dance music has reached the end of a cycle? Do you see a sort of hiatus where no one’s really sure what’s next, apart from reprocessing what’s come before?

Lee: I agree with that in a sense, but I also think it’s a tricky argument. We see historical scenes in hindsight, and that helps us to frame them favorably. That said, it’s obvious that there have been surges of great ideas at specific points in the history of electronic music. I think these accelerations can’t be sustained, and more often than not, they’re aligned with the emerging technologies of the time; it’d be wrong to say that people themselves are inherently more or less creative at certain points. There may be peaks and troughs, but I don’t align these to a lack of ideas.

The wave has a sonic profile of its won.