The peculiar John Murray Spear:
… In 1852, Spear broke all ties with the Universalist church, and instead turned to Spiritualism. He claimed that he was in contact with “The Association of Electrizers”, a group of spirits including Benjamin Franklin, Thomas Jefferson, John Quincy Adams, and Benjamin Rush, as well as Spear’s namesake John Murray. Evidence indicates he occasionally faked signatures as a way to gain authority from a “guide from the past”; however, these signatures were dated beyond the lifetimes of the deceased. Spear believed that the purpose of this group was to bring new technology to mankind, so that greater levels of personal and spiritual freedom could be achieved. The following year, Spear and a handful of followers retreated to a wooden shed at the top of High Rock hill in Lynn, Massachusetts, where they set to work creating the “New Motive Power”, a mechanical Messiah which was intended to herald a new era of Utopia. The New Motive Power was constructed of copper, zinc and magnets, all carefully machined, as well as a dining room table. At the end of nine months, Spear and the “New Mary”, an unnamed woman, ritualistically birthed the contraption in an attempt to give it life. Unfortunately for Spear, this failed to have the desired effect, and the machine was later dismantled. …
Kusozu (image sequence at the link):
I think I might be obsessed with kusozu, Japanese watercolor paintings that graphically depict human decomposition, which were popular between the 13th and 19th centuries; Body of a Courtesan in Nine Stages is another series in this genre featured previously on this site. Kusozu works of art were inspired by Buddhist beliefs and these paintings were meant to encourage people to ponder the temporary nature of the physical world. Kusozu watercolors also happen to be fantastic early studies of human decay and taphonomy, which is why one series, titled Kusozu: the death of a noble lady and the decay of her body, is currently on display as part of the Forensics: The Anatomy of Crime exhibit in London.
According to the Wellcome Collection, Kusozu: the death of a noble lady and the decay of her body was painted some time in the 18th century. The below scenes include: (1) the woman’s impending death and her preparation for it; (2) the noble woman has just passed away and her loved ones are seated around her; (3) slight skin discoloration (maybe some liver mortis) and a bit of bloating of during early decomposition; (4) the onset of putrefaction with bloating and marbling; (5) advanced decomposition as seen by pervasive marbling, leakage of purge fluid from the mouth, and the abdominal cavity has burst open (6) caving of abdominal cavity and scavenging animals; (7) start of skeletonization and the disappearance of soft tissue; (8) complete skeletonization and scattering of remains; (9) finally human remains have been completely scattered or consumed by unseen animals so all that remains is a memorial for the deceased woman. …
The master’s eyes darted around, and he continued in a low voice:
When we do our work poorly, we are replaced with our betters. When we do our work well, the thing we have built grows larger, faster, more powerful, more entrenched, more hungry. Sometimes I lie awake in a cold sweat, unable to decide if we are still building it, or if it has begun using us to build itself …
(Link received with gratitude from JF — a more precise attribution might be unwelcome.)
(You might need to click on it to see it properly.)
“Nothing like this had been seen before and it gave me goose bumps,” she wrote.
A synthetic approach to the Gödelian philosophy of religion.
The Platonic verses:
Since the principal subject of calligraphy always remained the divine word of God, copying of the Qu’ran gave rise to numerous questions involving geometry, beauty and theology itself. “Should all copies be written in exactly the same way? Should they all have same number of lines? Could words be broken at the end of a line and continue onto the following one? On these points there appears to have been no general consensus at first. Eventually, however, Qu’rans came to be copied out in odd numbers of lines and the splitting up of words was forbidden,” writes historian David James. The structure of these Qu’rans hints at number-mysticism and atomism very similar to ancient Greek philosophers like Euclid and Plato, whose works were also being studied and translated during this period.
Some recommended image support.
Some classic erotically-crazed religious fanaticism from Nicola Masciandaro.
Hell, as we know too well, is only getting whatever one wants, the eternal unasked opportunity to be you — the form of desire — forever. Hell is the minimum of paradise and paradise is the maximum of hell. Says Julian: “Synne is behovabil, but al shal be wel, and al shal be wel, and al maner of thing shal be wele.” For all is hell. So beware of love: “She kissed me … From that moment – my fate was sealed! … I also sucked a sweet from Her lips … Oh, but it felt like I had kissed death – and my love was replaced by horror … This has been the theme of my life ever since: love – horror, horror – love: one worse than the other.”
(See the original for citation sources.)
Paper presented at Tuning Speculation III, Toronto, November 22, 2015, which seems to have pitched lunacy beyond all previously imagined dimensions.