Opalized Ammonite. pic.twitter.com/na7FGHyKYf
— Cow Mask (@cowmask) August 19, 2016
Note the phased chromo-spirality (or “the Evening Redness in the West”).
Bartholomäus Traubeck created equipment that would translate tree rings into music by playing them on a turntable. Rather than use a needle like a record, sensors gather information about the wood’s color and texture and use an algorithm that translates variations into piano notes. The breadth of variation between individual trees results in a individualized tune. The album, appropriately titled “Years,” features spruce, ash, oak, maple, alder, walnut, and beech trees.
Source, with audio, here.
… since the 1960s, cephalopods numbers have been increasing. […] There had been anecdotal murmurs about such an upward trend before, but [Zoe] Doubleday’s data threw it into stark relief. The rise was obvious when the team analyzed data from both fisheries and other sources. It was there in both northern and southern hemispheres. It applied to species that stick to the same patch of ocean ocean floor, those that swim in the water layer just above the bottom, and those that patrol large stretches of open ocean. And it applied to every major group of cephalopod: For the most part, cuttlefish are doing well, squid are on the up, and octopuses are ascendant. […] “You wouldn’t have expected to see the same trend across these different groups,” says [Bronwyn] Gillanders. “It does potentially suggest that a large-scale, global phenomenon is affecting all of them.”
You don’t see this every day (I imagine).
(Thanks to Morkyz for the link.)
“… a 600 pound octopus can shape-shift itself to wriggle through a passageway the size of a quarter …”
The long intimacy of mankind with the prospect of extinction:
Human[s] might just have been what we would consider now an “endangered species” for most of their history.