Underlinings (#46)

From Nandita Biswas Mellamphy’s Ghost in the Shell-Game:

Technical objects are ‘mediators’ (mediations) between ‘man’ and ‘nature’ not only in an ‘instrumental’ sense but also in an altogether ‘constitutive’ sense; from this vantage (as Oshii, for instance, suggests), rather than ‘bodies’ and ‘souls’ we see instead ‘shells’ and ‘ghosts’. In Oshii’s Inosensu, death is not the cessation of life; rather, bodily life is the technical animation, individuation and articulation of death (inertia). Life (æmæth in the Hebrew text at the heart of Inosensu: the animating ‘truth’) is portrayed as an artifice of death (mæth) embodied in the ningyō — literally ‘human-shaped figures’, anthropoid forms — without consciousness. “By inscribing æmæth upon the Golem’s brow, the clay man lived, drawing energy from the word for ‘truth’. But simply removing the æ to form mæth or ‘death’ returned the Golem back to inanimate clay” (Hebrew Kabbalah paraphrased in Oshii’s Inosensu). Only the puppet truly experiences both life and death: life as the animation of death (something impossible for human self-consciousness). “People die simply because it is inevitable. But death is a condition of life for a doll.”


Zombie Philosophy

Bakker (snipped from a crucial post):

There will always be speculation — science is our only reliable provender of theoretical cognition, after all. The question of the death of philosophy cannot be the question of the death of theoretical speculation. The death of philosophy as I see it is the death of a particular institution, a discourse anchored in the tradition of using intentional idioms and metacognitive deliverances to provide theoretical solutions. I think science is killing that philosophy as we speak.

Once philosophy has been completely de-vitalized, compliance with its true vocation can begin …