Anatoly Vyatkin’s Keyboard, in Yekaterinburg (Russia). More here.
… a resource compiled by Rob Myers (with attached ‘webliography’).
Conceived by Lars Holdhus and commissioned by Rhizome, Futures Along the Blockchain is a web project gathering artists, musicians, and writers to annotate a case study which explores the history of Bitcoin while speculating on the utility of its underlying blockchain technology for both art and music distribution.
Much of interest at the site, including video of a Tibetan Bitcoin mining facility.
ADDED: Commentary at AoT.
A sonification of the electrosphere:
The result of [Sam Conran’s] research is the Kabbalistic Synthesizer, a fully functioning prototype that uses the combination of electric signals in order to simultaneously synthesises variations in the Earth’s magnetic field with cosmic rays and Jupiter’s magnetic storms.
We might propose the following as an aphorism about abstraction and the history of contemporary art: “We’ve all heard of abstraction, but no one has ever seen one.”